Ganesh Datta G
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Work / Automation · code-driven motion graphics

Automated content pipeline

Motion graphics written as code in Remotion and built with Claude Code and Codex: a reel goes from a script and a voiceover to a rendered video with most of the work automated.

Client
Personal project
Role
Pipeline design, scripts, motion design, code
Format
9:16 reels · rendered from code
Year
2026

The brief

Short-form explainers eat time: every new reel used to mean a new After Effects project, hand-placed text and a fresh edit to the voiceover. I wanted a pipeline where a new reel starts from a script and a voiceover, and most of the build runs itself.

So I built Remotion Studio: motion graphics written as code in Remotion (React), with Claude Code and Codex doing most of the building. A reel is a set of reusable scenes driven by data, timed automatically to the voiceover, and rendered straight to MP4.

2Design systems, each with its own tokens and scene kit
48Sound effects in a tagged, shared library
~8×Faster renders after moving to GPU rendering
1Person running the whole pipeline

The reels

Two of the reels made with it, both posted. Every chart, counter, card and transition is code, so a new version is a re-render, not a re-edit.

AI Advancements: a year of AI in 30 seconds, every chart and counter drawn in code.
ArtCraft: four free Adobe alternatives, with the app UI rebuilt and animated in code.

How the pipeline works

  1. 01Script and voiceI write the script and record the voiceover, or generate one in ElevenLabs.
  2. 02Word timingWhisper finds the time of every word; a script corrects each one against the measured voice onset, so animation lands on the syllable.
  3. 03Build with agentsClaude Code and Codex assemble the reel from the kit: scenes, data, layout and motion, following the design tokens. I direct, review and correct.
  4. 04Kit and tokensA shared package of scene components (titles, glass cards, charts, cursors, collage pieces, camera moves) and a token file per look, so every reel stays on brand.
  5. 05SoundA tagged library of 48 sound effects with measured peak frames; a sound-design layer places them on the cuts automatically.
  6. 06Review and renderContact sheets and measurement scripts check every frame before I see it; the GPU renders the final MP4 for each platform.

What it looks like inside

Each look is a design system, not a template: the blue AI Advancements style and the warm ArtCraft style each have their own tokens and components, so the next reel in either look starts from finished parts.

The result

A content pipeline where one person ships a finished, designed reel from a script and a voiceover, with the repetitive work automated and the creative calls kept by hand. The same setup can produce a brand's explainers, product updates or data stories on a schedule, in the brand's own design system.

Need content on a schedule?

I set up a pipeline in your brand's design system, so explainers, product updates and data stories come out of a script and a voiceover instead of a fresh edit each time. Tell me what you publish and how often.

+(01) NEXT SCREENING00:01:00:00
+(02) BOOKINGEND OF REEL · 00:02:00:00

Got somethingto make?

Open to roles and projects in Singapore, APAC and the GCC

or write: ganeshdg6@gmail.com
Dubai Health Authority
Wio Bank
Saudia
Lean
Central Lab
Cloud Solutions
Madden
EDE
Amazon
Flipkart
Myntra
Samsung
Tang
Drools
Denny's
True Religion
Harrow International
Cloudhops
Marble Italia
011Person on every credit
023Languages: English, Kannada, Hindi
03ISTBengaluru time, overlapping Singapore and Dubai hours
0416KThe largest display canvas I have designed for, from phone screens to LED walls